I
have no other aims than to be myself, to retreat into a silent
inwardness that is reflected in our day-to-day presence in the world
around us. To observe, act and gather together, these are the three
phases of an economy of interiorization.
I work in
specific contexts attempting to remove myself from the domain of
single authorship, absorbing the influences and changes generated by
meetings, relationships, experiences and actions. The ideal
transforms and becomes reality.
A
jagged reality that is composed of concrete forms, of solidified
protuberances resting on a network created by the relationships
between the elements themselves
The artwork is the
residue of a daily process of life and contemplation. The breath of
Duchamp (1) that materialises through our daily experience, freed
from all other than that of vital necessity. An art that is not
interested in politics but which is permeated by politics, an art
which looks towards the possibility of collective construction
considering cultural value as the value of the work itself.
I
barter imagination for a free political act.
(1)
“I
don't think that the work i've done can have any social importance
whatsoever in the future. Therefore if you wish my art be that of
living: each second, each breath is a work which is inscribed
nowhere, which is neither visual nor cerebral. it's a sort of
constant euphoria.”
[From
Interview with Marcel Duchamp,pg. …, Pierre Cabanne, ed. …]